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In form, the Litany of Loreto i Beauties s composed on a fixed plan commonqo several Marian litanies already in existence during the second half of the fifteenth century, which in turn are connected_ with a notable series of Marian litanies that began to appear in the twelfth century and became numerous in the thirteenth and fourteenth. The Loreto text had, however, the good fortune to be adopted in the famous shrine, and in this way to become known, more than any other, to the many pilgrims who flocked there during the sixteenth century. The text was brought home to the various countries of Christendom, and finally it received for all time the supreme ecclesiastical sanction.

Appended is a brief résumé of the work published by the present writer on this subject, the reference being to the revised and enlarged French edition of 1900, suplemented by any new matter brought to light since that time.

Sauren claims that the first and oldest Marian litany is a pious laus to the Virgin in the "Leabhar Breac", a fourteenth-century manuscript, now in the library of the Royal Irish Academy, and written "in the purest style of Gaedhlic", according to O'Curry, who explained its various parts. This laus of fifty-nine eulogies on the Virgin occurs on fol. 121, and O'Curry calls it a litania , attributing it at the latest to about the middle of the eighth century. But it has not at all the form of a lintany, being rather a sequence of fervent praises, like so many that occur in the writings of the Fathers, especially after the fourth century. As a matter of fact, Dr. Sicking has shown that the entire laus of the "Leabhar Breac" is copied almost word for word from the first and third of the "Sermones Dubii" of St. Ildephonsus .

The earliest genuine text of a Marian litany thus far known is in a twelfth-century codex in the Mainz Library, with the title "Letania de domina nostra Dei genitrice virgine Maria: oratio valde bona: cottidie pro quacumque tribulatione recitanda est". It is fairly long, and was published in part by Mone, and in its entirety by the present writer. It opens with the usual " Kyrie Eleison "; then follow the invocations of the Trinity, but with amplifications, e.g. "Pater de celis deus, qui elegisti Mariam semper virginem, miserere nobis"; these are followed by invocations of the Virgin Mary in a long series of praises, of which a brief selection will be enough: "Sancta Maria, stirps patriarcharum, vaticinium prophetarum, solatium apostolorum, rosa martirum, predicatio confessorum, lilium virginum, ora pro nobis benedictum ventris tui fructum"; "Sancta Maria, spes humilium, refugium pauperum, portus naufragantium, medicina infirmorum, ora pro nobis benedictum ventris tui fructum"; etc. This goes on for more than fifty times, always repeating the invocation "Sancta Maria", but varying the laudatory titles given. Then, after this manner of the litanies of the saints, a series of petitions occur, e.g.: "Per mundissimum virgineum partum tuum ab omni immundicia mentis et corporis liberet nos benedictus ventris tui fructus"; and farther on, "Ut ecclesiam suam sanctam pacificare, custodire, adunare et regere dignetur benedictus ventris tui fructus, ora mater virgo Maria." The litany fWww Beautiesdating Tubes En Beauties Dating Litany of Loreto - Catholic Encyclopedia - Catholic Onlineq h Sites f f Dating Dating pWww Beautiesdating Tubes En Beauties Dating Litany of Loreto - Catholic Encyclopedia - Catholic Onlinev Escorts