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When it comes to ero, I religiously abide an unbreakable empirical truth: Twincest is Best. This glorious teaching is commonly embodied in two forms of perfection. The first is my personal favorite: when identical sisters share a lover simultaneously, harboring erotic desires for each other as well. Such wondrously unique pleasures can only be found in sexing twins, which simply are not the same when performed between siblings who are not. Seriously. Who can say no to nymphomaniac twins? The second incarnation of twincest, which arguably better defines the portmanteaux, is when identical siblings are a brother and sister sexually involved between themselves. Although this particular pairing is not as motivating to the common male ego, since it fails to result in an awesome threesome experience, it provides a wealth of emotional and cultural taboo for story material. Playing on the spiritual and media stereotype that twins share an unbreakable connection, its incest taken to the furthest extremes; the evil of a forbidden relationship multiplied by shared appearance… and in some cultures, two halves of the same soul. It even appalls Science, spitting in the face of Darwinism by throwing the virtues of genetic diversity out the window. Interested? Damn right you are!

 

 
The foundation of Yosuga no Sora is built on a solid, though cliché premise: shortly before the start of the story, the parents of Haruka and Sora were killed in a tragic car accident. Still shaken by the loss and unable to maintain their lifestyle in the city, the twins travel to an old childhood vacation home in the rural countryside, awaiting the outcome of further guardianship and inheritance proceedings. Despite this decision being a mutually agreed affair, the difference of anticipation is obviously evident in the siblings’ mannerism. For Haruka, the player controlled protagonist, there are memories of fondness and friendship; feelings strong enough to ease the recent lost he has suffered. In Sora the return draws bitterness and brooding – more so than usual for the tsundere – for reasons that elude her brother. Moments after arriving at the rustic destination, an old acquaintance of the siblings stumbles across the pair during their sojourn from the train station. In one twin swells emotions of compassion and delight; in the other stirs sentiments of contempt and apprehension. As time passes day by day, Haruka befriends more of the community, eventually considering the serious possibility of making their stay permanent. Of course, Sora will have none of this crazy talk.

 

 
Yosuga no Sora is surprisingly short. Barring a few odds and ends, all routes follow the same introductory chapters, during which the player is presented four “choose your answer” opportunities. The combination of these choices determines which scenario is provided, more or less unfolding on autopilot. Four possible paths are available from the onset, with a fifth and presumably canon (your twin sister’s) unlocked after seeing an ending at least once. From a generalized standpoint, the writer fundamentally constrained everything within two story arcs. The tales for Nao and Sora are closely intertwined, so much that understanding their full scope requires competition of both routes. This flipside of the same coin presentation provides a wealth of melodramatic rivalry. The individualized routes for Akira and Kazuha (which Motoka lightly intrudes upon) are similar intersected, although from a noticeably different tone. Whereas the relationship between Nao and Sora is an unreciprocated discord, theirs reflects an amicable camaraderie. This is further tempered by the initial lack of intimate familiarity with the protagonist, which the sibling and childhood sweetheart possess from the onset. Yet under no circumstance should player discouragement arise, as Akira and Kazuha share a special flare of fan service from their affectionate bond.